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Jaisamand, Mewar’s superlative lake

View of the ornamented backside of Jaisamand Dam.

View of the ornamented backside of Jaisamand Dam.

In southern Rajasthan, thirty miles south of the city of Udaipur, twenty square miles of the Aravalli Mountains have been flooded by the remarkable Jaisamand Lake, formed by the 1500-ft Jaisamand Dam. Tourist guidebooks frequently erroneously refer to Jaisamand as the second-largest artificial lake in Asia. This is far from the truth; in India alone, a half-dozen artificial lakes are much larger than Jaisamand. What is remarkable about Jaisamand is the combination of its size and its age. The lake was built in 1685 on behalf of Maharana Jai Singh of Mewar. Jaisamand holds the undisputed distinction of being the largest extant pre-modern artificial lake in India.

Of the numerous Rajput kingdoms in medieval western India, Mewar was the last to submit to the Mughal Empire. In 1568, Mewar lost its capital Chittaurgarh to the army of Akbar after a long and bloody siege, but a royal remnant escaped to found a new capital at Udaipur. The Mughals tried to defeat Mewar again at the epic Battle of Haldighati in 1576, but Maharana Pratap Singh escaped with his life and his kingdom. (Alas, Pratap’s horse Chetak succumbed to his injuries during the battle, but he has since become a local hero in his own right.) Finally, in 1615, after a series of battles, Maharana Amar Singh was forced to accede to the Mughal Empire. This was more than fifty years after Amber became the first Rajput state to join the empire.

After getting dragged into the Mughal Empire, Mewar could redirect some of its resources from militarization to infrastructural development. Jaisamand Lake was one of the public works projects undertaken in the post-accession period. The lake stored water from the Gomti River, for use in irrigation. It also provided a setting for palaces and royal hunting reserves.

Jaisamand Lake has changed a little since the late seventeenth century. The original dam was refurbished around 1960. During the refurbishment, the historic front face of the dam was covered by a characterless concrete facade. The crest and backside of the dam, though, retain their historical appearance. A series of white marble steps lead down to the water. There are six stone chhatris (domed pavilions), six carved marble elephants, and a temple, Shri Narbdeshwar Mahadev Jaisamand. Despite some graffiti on the elephants, and the usual litter, Jaisamand Dam remains a place of historical importance and real beauty.

The steps on the backside of Jaisamand Dam.

The steps on the backside of Jaisamand Dam.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

Jaisamand is accessible from Udaipur by Banswara-bound bus from the main government bus terminal near Udaipol. The dam and the lake are just up the hill from Jaisamand town, where the bus stops. Boat rides are available from the dam, at Rs 600 per boat for a half-hour or Rs 1200 for the full hour. On a hill just above the dam, a ruined palace stands on forest department land. Visitors can get permission to climb up to the palace from the forest department office, with payment of a fee. I thought the rate for foreigners of Rs 300 was ridiculously steep – even without the additional Rs 900 camera fee – so I opted out of that experience.

For further coverage of India’s pre-modern artificial lakes, please see my posts “Goodly Lakes” and “Another Goodly Lake.

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Another Goodly Lake

View of Amber Fort. The first stage of the water-lifting machinery is in the lower right of this picture.

View of Amber Fort. The first stage of the water-lifting machinery is in the lower right of this picture.

In a blog post last summer, I discussed pre-modern artificial lakes in western India, including Jal Mahal Sagar in Jaipur and the Alwar Sagar. In arid western India during the Mughal period, artificial lakes provided water supplies for the cities that were growing in size during that time. These lakes still serve this purpose, although they have been supplemented by more modern lakes impounded by concrete or earthen dams.

Before the founding of Jaipur in 1727, the capital of the Kachhawaha Rajputs was at Amber (sometimes alternately spelled Amer). Amber Fort, built around 1600 during the reign of Man Singh I, was the royal palace; it is perched on a hill above the town. The water supply for Amber Fort was Maota Lake, impounded by a masonry dam in a valley below the palace. The rectangular top of the dam is landscaped as a geometric Mughal garden.

Overhead view of Maota Lake Dam, showing the Mughal garden on top.

Overhead view of Maota Lake Dam, showing the Mughal garden on top.

Maota Dam garden, Dilaram Bagh.

Maota Dam garden, Dilaram Bagh.

Since it supplied the all-important water needed for the inhabitants of Amber, Maota Lake was enclosed by the outer defensive walls of the city. Moving the water from the lake up to the palace posed a difficult engineering challenge. The topography of the site, and the requirement that the palace be located on a hilltop above the lake, made it impossible for the builders of Amber to use a gravity-fed aqueduct. Rather, they constructed an animal-powered multi-stage pumping station. A series of five ox-driven bucket lifts raised water from the lake level up to the palace.

Wooden gears that transferred the power of oxen walking in a circle to the bucket lift.

Wooden gears that transferred the power of oxen walking in a circle to the bucket lift.

View down the shaft of the top-most stage of Amber Fort's water lifting machinery.

View down the shaft of the top-most stage of Amber Fort’s water lifting machinery.

The pre-modern water-raising machinery at Amber Fort is similar to technology used throughout southwestern Asia, from India to the Levant. In 2013, UNESCO declared Amber Fort and five other Indian castles a World Heritage Site, collectively designated “Hill Forts of Rajasthan.” Among other features of the forts deserving of world heritage status, the inscription mentioned “extensive water harvesting structures, largely still in use today.”

Amber Fort celebrates its designation as a World Heritage Site, July 2013.

Amber Fort celebrates its designation as a World Heritage Site, July 2013.

(For more on the architectural aspects of Amber Fort, and other Rajput structures, please see my post “Batman Goes to India.”)

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How many Qutb Minars is this?

The tallest pre-modern structure in India is Qutb Minar, a 238-ft (72 m) tower in southern Delhi. Qutb-ud-Din Aybak, the first sultan of Delhi, started building the tower in 1199. Several succeeding generations of rulers added to and modified the tower; it only reached its full height after Qutb-ud-Din’s death. Even the British tried to add their own cupola on the apex of the tower, but it did not match the aesthetic of the rest of the tower, so it came down in 1848. The British cupola now sits by itself on the landscaped lawns of the Qutb Minar complex. Qutb Minar and the surrounding area was declared a UNESCO World Heritage Site in 1993.

Qutb Minar towers over surrounding ruins in south Delhi.

Qutb Minar towers over surrounding ruins in south Delhi.

Publications about Indian construction projects in the early-independence period often compared the new projects with pre-modern Indian monuments; Qutb Minar was a particularly popular item of comparison. Towers or tower-like structures invited comparisons most readily. The ventilation stack of Tarapur Atomic Power Station, India’s first nuclear powerplant, was 366 feet (112 meters) tall—much taller than the Qutb Minar,” as several publications noted.1 Qutb Minar was also used as a standard measuring stick for height for any structure. According to an article in Assam Information, “the height between the bottom of foundation and the top of the piers” of the Saraighat Bridge, the first permanent crossing of the Brahmaputra River, “it almost as much as the height of the Qutb Minar.”2 The winner in any early-independence period height competition was Bhakra Dam. Indian Recorder and Digest stated that the height of the dam, “which is the highest structure in Asia, is about three times that of the Qutab Minar.”3

This rhetoric established continuity with the pre-colonial past, but also attempted to transcend it. The colonial period had been a difficult time for India’s educated elites. Although they believed in their own country’s historic greatness, they also absorbed the western critiques of India as backward, underdeveloped, and imprisoned by tradition.4 Building dams, bridges, and nuclear powerplants was a way to recreate India’s past greatness, which had been lost during centuries of colonial domination. The new India’s greatness, though, would not be based on Indian tradition, but on western ideas and technology. The structures of independent India were bigger, and by implication better, than anything the Sultans of Delhi or the Mughals had been able to make. In the sources that I have read, nobody seemed to care that a concrete ventilation stack was not aesthetically comparable to an intricately-wrought red sandstone and white marble tower.

  1. “Tarapur: Gateway to the Nuclear Age,” Economic Studies 10 (1968), 421. []
  2. “Saraighat Bridge: A Boon to Assam,” Assam Information, November 1963, 20. []
  3. “Dedication of Bhakra Dam,” Indian Recorder and Digest, November 1963, 6. []
  4. Ashis Nandy explained the internalization of western ideas by Indian elites in a lecture I attended in Delhi on June 11, 2012. []

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